_project outline v.1.4
statement of intention
_the title : is 'kinostos, a cinematic poem about return'.statement of intention
_the vehicle : is the kino eye, whose drive - the desire for an affirmation - is defined by a movement which describes a form (of architecture) manifest by:
_the material : is glass (archit.) and water (environ.) where the phenomena is optics.
_the narrative : follows a transition from one scenic or subject extreme to it’s antithesis. the transition is aided by ‘markers’ which appear as dynamic reflections.
_the crime : is the punishment of the desire, and punchline of the narrative. where the promise of affirmation is replaced by the realisation of the contrary. (the accident might happen.)
_the image : has ambivalence expressed through diction and chiaroscuro.
_the critical aspect : optical transition is the touchstone of the project, where each aspect is subject to uncompromising technical scrutiny (a further opportunity for punishment) thereby informing material manifestations.
_the audio : undergoes a transition in parallel with the narrative. two channels, one dominant one subsidiary, exchange function at the point of transition.
